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Revision# URS FISCHER： Chaos#501

  “I like the idea of error. I think it’s just a beautiful word. Anything we do successfully in life is a potential error.”  Urs Fischer, a New York City-based artist, mentioned it on The Brant Foundation . This perspective lends his art a fascinating, playful, and defies limits. The NFT artwork, Chaos #501 , is built from thousands of 3D models. Most of the items are familiar, such as basketball, toilet, Connect Four, wigs. Those objects are rotating and are not limited by the physical rules of our world as they infinitely penetrate one another across the screen. These sculptures operate as archaeology in the present, aiming to be able to show the form of three-dimensional sculpture in motion.  Fischer's practice is characterized by a diversity of materials, strategies, and concepts. One of his most famous works is a giant wax figure, Untitled (2011), modeled after Jambologna's Rape of the Sabine Women (1579–83). During the melting process, the wax drips and solidi...
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  URS FISCHER : Chaos#501 “I like the idea of error. I think it’s just a beautiful word. Anything we do successfully in life is a potential error.” Urs Fischer, a New York City-based artist, mentioned it on The Brant Foundation . This perspective lends his art a fascinating, playful, and defies limits. The NFT artwork, Chaos #501 , is built from thousands of 3D models. Most of the items are familiar, such as basketball, toilet, Connect Four, wigs. Those objects are rotating and are not limited by the physical rules of our world as they infinitely penetrate one another across the screen. These sculptures operate as archaeology in the present, aiming to be able to show the form of three-dimensional sculpture in motion. Fischer's practice is characterized by a diversity of materials, strategies, and concepts. One of his most famous works is a giant wax figure, Untitled (2011), modeled after Jambologna's Rape of the Sabin...
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